To develop her work, the androgynous body is one of the main strategies to unfold the relationship between painting and observer. The artist began to investigate the idea of ​​body and face and their relationship with humanity, in this sense, she develops the figures in the paintings to instigate the contradiction of normative life in terms of social comportments and social ways the genders express themselves. The main point of his production is to awaken strangeness and disconfort (the moment in which the relationship between the painting and the observer begins). 

In brief, her production is about create a alternative of the normative life, but putting some aspects about the real life, like the crises that crosses the human relationships in sense of politcs, social, culture and family terms.

''Where the Fragment Meets the Body” is a proposal for an economic conception of work, which investigates a praxis that constantly updates human subjectivity. The encounter between the fragment and the body happens through a personal process between the association that the observer makes with the paintings. The unreality of the bodies, together with the small elements at the bottom of the screens, total an alternative to the normative reality. It is an invitation to interact with unreality, with non-humans, with humans, with androgyny, with the strangeness of the non-normative image.

For her, the relationship between the observer and the paintings is more easily developed through external stimulation. To develop this, she planned a series of synesthetic processes to facilitate the process of immersion with the works, and consequently generate a personal impact on the visitor. In addition to an exhibition of paintings where just looking is enough, her exhibition invites collective interaction, the experience of dynamics immersed in the external sensations that the paintings essentially have.